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The Function of Ornament: Second Printing, by Farshid Moussavi
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Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses through new concepts that connect with these forces, manifesting itself in new aesthetic compositions and affects. Ornament is the by-product of this process, through which architectural material is organized to transmit unique affects.
This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case operates through greater or lesser depth to exploit specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time.
- Sales Rank: #569923 in Books
- Published on: 2016-11-01
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l, .0 pounds
- Binding: Paperback
- 192 pages
Review
This book represents a return to architectural research as drawing. If it's a harbinger for 2007, I'm excited to see what else Actar and whoever else dares to draw can come up with. --Archinect
The Function of Ornament is a primer for the digital age, with Foreign Office Architects Farshid Moussavi demonstrating how the computer is as fine a form generator as any pattern book. --Wallpaper Magazine
-- A remarkable array of forms. --Metropolis Magazine
Undeniably powerful. -- Architect's Journal
A compelling study of affect manifest in clearly presented case studies with savy representations of various architectural techniques. --Documents
A thoroughly and beautifully illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. --Archidose
A thoroughly and beautifully illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. --Archidose
The impressive array of diagrams are extremely clear and useful... If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further. --Death By Architecture
A thoroughly and beautifully illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. --Archidose
The impressive array of diagrams are extremely clear and useful... If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further. --Death By Architecture
About the Author
Farshid Moussavi is an internationally acclaimed architect and Professor in Practice of Architecture at Harvard University Graduate School of Design. She was previously co-founder of the London-based Foreign Office Architects (FOA). Moussavi has completed her first U.S. commission, the Museum of Contemporary Art in Cleveland (2012), its installation at the 13th Architecture Biennale in Venice (2012), and The Victoria Beckham Flagship Store in London (2014), and she is currently working on a wide range of prestigious international projects including residential complexes in the La D�fense district of Paris and in Montpellier, as well as a department store in Paris, France; and an office complex in the City of London, UK.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Nice presentation of some innovative architectural systems
By Emcee
In this graphic guide to building ornamentation in the twentieth century, Moussavi and Kubo have collected an interesting cross-section of architectural projects that demonstrate the mechanisms through which contemporary architecture connects itself to current culture.
Through the selected case study projects, the editors endeavor to illustrate the means through which ornamentation is the very essence of the building. Not being merely 'ornamental' and self-indulgent, the articulation presented is indeed the agent of the architect's ideas.
Various materials and effects are investigated ranging from 'dematerialized light' to 'relief patterns'. The impressive array of diagrams are extremely clear and useful. A typical system is defined through perspective views, sections, pattern diagrams, detailed assembly drawings and relevant notes.
If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further.
5 of 5 people found the following review helpful.
Excellent and Elegant
By archiman
This is not a technical manual as a couple reviewers seems to wish, nor a survey of ornament in architecture. Nor does it ever claim to be such--reviewers should review a book not wish it was a different book. Instead it represents the results of graduate level research at Harvard Graduate School of Design into a revitalized understanding of the role of ornament in architecture and how one employs technical and material means to produce architecture effects and phenomena. As such the book is extremely clear, useful and elegantly designed and thoughtfully organized. Great for students and professional who want to think.
4 of 4 people found the following review helpful.
Nicely put together
By Joongwon Lee
I guess, to me at least, the title of the book is bit misleading,
it should be "how to make an interesting building skins"
Because this book provides ample examples of great building skins of
contemporary (some past) architecture.
Graphics, analysis, and categorization are the 3 strong points of the book.
Each example is analyzed in the order of following:
1. elements (typically material)
2. key design concept
3. organization and assembly of key building skin
4. overall effect
For example, for Laban Dance Center by Herzog de Meuron, three different
colors and glasses are introduced, how they are used according to the program
inside, how the glasses are put together as double-layer enclosure, and
the daytime/ nighttime effects are analyzed.
The book speaks with graphics, limiting the number of words used.
The graphics were painstakingly achieved. Really delivering the message
clearly and concisely. Hence, essence of the project concept is easily
graspable, yet, at the same time, being graphics, it leaves room for
subjective interpretation.
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